【人物照片】| 肖像由BLK工作室提供，活动照片由德米特里 ·菲利普提供

在马泰尔·哈斯利的第二季展览《追梦人》中（第一季展览详见我们前面发布的文章：《用颜色连接你我》 ），他的注意力更多地转向内心深处，过滤掉疫情期间的各种来源的信息和现实，专注于创造一个充满希望和灵感的新时代。 

For Martell's second exhibition, Dreamcatcher, (see Part l for his first) his attention turned more inward, pushing against the messages and realities of the pandemic, to focus on creating a new time for hope and inspiration.

作为费尔泽大学工作室的创始人，马泰尔说：“我看到很多关于所谓的 ‘新常态’ 的可怕评论。 这个展览就是为了抵制这样一种悲观想法，即恐惧和死亡的心态不得不成为我们的行事方式。 难道我们还不能向往更光明的明天吗？”  

As Martell, founder of Uni.Verse Studio, puts it, "I was seeing so much dreadful commentary on what was being called our 'new normal'. This exhibit was about resisting the idea that this mentality of fear and death had to be how we operate. Couldn't we could still dream and aspire toward something brighter for tomorrow?"

马泰尔调查了世界各地有着不同背景、年龄和环境的人，以充分了解他们对自己的梦想的感觉，以及他们对自己周围人的期望。 

Martell surveyed people around the globe of various backgrounds, ages, and circumstances to find out how they were feeling about their own dreams and what they hope for the people around them.

“想象自己之外的东西意味着什么？” 我们的梦想，或者他人的梦想是如何塑造我们所了解的世界的？  

"What does it mean to imagine something outside of yourself? How have our dreams, or the dreams of others molded the world we know?

这些沉思的结果就体现在一个立方体的星座结构中，每个立方体表面有来自参与者的4个答案，形成了一个充满希望和惊奇的信息集合。 承载这些想法的展览结构是一个镂空的黑色框架，似乎消失在开放的天空下。 

The result of these contemplations was a constellation of cubes, each with 4 answers from a participant, to form a collective message of deep hope and wonder. The exhibition structure that held these thoughts was fittingly a spare black framework that seemed to disappear under an open sky. 

一个像类埃舍尔的立方体，其超现实的摆放位置及其梦幻般的颜色，引导观众到一个发光的入口------追梦人自此进入。 当人们朝一个冰冷的蓝色球体迈步前行时，他们不得不抬起头来感觉和理解这个空间结构，并考虑下一步会发生什么。 

The surreal placement and fantastical colors of the Escher-like cubes directed viewers to a glowing dreamcatcher portal. The analogy wasn't lost that one had to look up to make sense of the space as they moved forward towards an icy blue sphere to consider 'what's next'. 

【人物照片】| 菈莎泊·琥玛留影

Portrait as left by Lethabo Huma

平台的表现张力让位于雾气模糊背景的艺术作品,它充满了好奇、怀旧、个人力量和大胆的乐观主义。

The intensity of the platform gave way to a fog-faded backdrop where artworks imbued a sense of curiosity, nostalgia, personal power, and bold optimism.

《我们的孩子是超级英雄》 作者: 拉吉·萨鲁斯

Our Children are Superheroes by Laji Sanusi

《查德威克·博斯曼》  作者: 克洛费亚·凯萨

Chadwick Boseman by Clophia Keesee

沙拉·派普斯的《梦境》

 'Dreamscape' by Shala Pipes

在这里，梦想被定义为“我的”、“你的”和“我们的”，把共同的人性带到我们每个人身上，每个人都是一个伟大社区的一部分。 

Dreams were defined here as those that are 'mine', 'yours', and 'ours' bringing a common ground humanity to all of us as individuals who are all part of a great community.

这些作品激发了观众之间的对话和交流，给了人们一种联系感和希望。 

The works sparked conversation and communion among viewers, which gave people a sense of connectedness and hope.

“我最喜欢的部分，”马泰尔回忆道，“是看着人们坐在长凳上，对着立方体进行反思。通过阅读和了解别人的梦想和想法，人们似乎添加了自己的希望和梦想，并把它们发射到太空，让更多的人能抓住和听到…..《追梦人》是一种现象，那就是即使在最艰难时期，我们也有共同的追梦能力。疫情将我们所有人在现实中联系起来，而我们如何克服疫情的真实故事将由我们梦想中的生动色彩描绘出来。 ”

"My favorite part" Martell recalls, "was watching people sit on the bench reflecting on the cubes. Reading the dreams and thoughts of others, they seemed to be adding their very own hopes and dreams and launching them into space to be caught and heard......Dreamcatcher was an acknowledgement that even in rough times, we share the universal ability to dream. The pandemic connected us all in our reality, but it would be the vivid colors of our dreams that painted the true story of how we'd overcome."

点击以下网址可了解更多关于马泰尔·哈斯利和他的创意服务及合作伙伴 http://www.uni-versestudio.com

Click to learn more about Martell Hasley and the creative services and partnerships he's fostering at  Uni. Verse Studio.

受《追梦人》的启发，这里有一些凯利摩尔的颜色，可能会有助于培养您的梦想，并激励您实现它们。 享受追梦!

Inspired by Dreamcatcher, here are some Kelly-Moore paint colors that might foster your dreams and encourage you to make them come true. Enjoy!

本案主色：KM5036、 KM5067、KM5673、KM5662、 KM4857、 KM5116